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Its full of earth tones, and warm hues, yet clouded and unfocused just enough that you sense something bad is waiting around the corner. One scene that best describes the feel for me was cast in a bright day lit pub view. While what we do see is filtered in a haze. Palmer sets the camera angles to capture just the right gesture and facial expression. Every person on-screen adeptly shows off nuanced body language, eye contact and tone of voice to communicate the mood. They don’t just rely on the actors to provide all of it either. What the filmmakers do well is create and maintain tension.
Soon after arriving, they learn they’re the only hunters around, and you find yourself understanding why, given the less than cosy reception. Imagine an idyll, suspended in time from a long ago age, whose residents resent on the one hand the idea of needing your economic investment, and even more so your very presence among them. I’ve never been to Scotland, and I know it’s just a movie, but by the looks of Calibre Matt Palmer would have you believe that the rural highlands are full of people with a love-hate relationship with any so-called outsiders. It speaks to a place whose inhabitants have painstakingly cared for it, and now betray their fragile emotional psyches, the result of an economic downturn that has put their life’s work in jeopardy. It’s little wonder that the harsh northern weather conditions demand durable construction, however the quality interiors displayed in the lodge where Vaughn and Marcus stay are in full view, and is well able to be appreciated by the audience, if not the characters themselves. While the pace isn’t exactly slow, it is deliberate enough that you find yourself considering the majesty of the architecture. It screams ‘you’re trapped’, to any mortal soul inside it. The opening panoramic aerial shot of vast forestland quickly establishes the mood of a cold, sparse, wild and all-encompassing landscape that influences everything imaginable. This gives everything a foreboding feel, as if this stark countryside is as deadly as it is breathtaking. Director Matt Palmer is careful to balance those images with slowly moving shots, causing the scenery to brood more than sparkle.
With a lush mixture of color and vibrant lighting, you’re left with the impression of overwhelming beauty. Márk Györi Makes an ImpressionĬinematographer Márk Györi is the driving force behind Calibre.
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Here’s a bit of a warning: the movie is better than the trailer in my opinion. Both Lowden and Martin McCann had parts in the British period peace ’71 (2014), a film about riots in Northern Ireland at the time.
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Jack Lowden appeared in the cast of The TV miniseries War and Peace (2016) and Tommy’s Honour(2016). The film was released worldwide on June 29th, 2018 by Netflix. He also feigns a desire to prepare for the inevitable change in his relationship with Vaughn, whom he has been somewhat domineering towards and overprotective of, at level that approaches something short of psychologically unhealthy.Ī report indicated that work on the film began in 2009 and filming commenced in November of 2016.Ĭalibre premiered at the Edinburgh International Film Festivalon June 22nd, 2018. Vaughn has left a pregnant fiancé behind while Marcus seems to be trying to come to terms with his reckless past. Trouble which keeps them company as they head towards the impending consequences of their past decisions.
It becomes apparent that they’re far from escaping, they’ve only just carried their troubles along with them. In stark contrast to the wide-open wilderness, what they encounter is a claustrophobic environment inhabited by close-knit locals who monitor their every move. Marcus is familiar with the area, having hunted there with his father as a child. Although not avid hunters, they venture out in an attempt to get away from it all. Lifelong friends Vaughn (Lowden) and Marcus (McCann) drive out of Edinburgh up to the Scotland highlands for a weekend hunting trip. Starring: Jack Lowden, Martin McCann, Tony Curran, Kate Bracken, Kitty Lovett and Ian Pirie. The following review will be spoiler free. Presumably made on a limited budget, it’s a relatively minimalist drama clocking in at 101 minutes from stem to stern. It’s sporting a capable cast and a crew that appears to be serious about the task at hand. This English language production hails from the land of Great Britain. Calibre (2018) follows the fate of vacationing hunters, and arrives this summer amid a steady flow of independent films on the festival circuit that find their way into the Netflix fold.
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